Earlier this month, Manhattan’s Madison Square Park was the setting for Día de los Reyes, a community event celebrating Afro-Cuban dance and culture. Initiated by Teresita Fernández and the Madison Square Park Conservancy, it took place beneath the golden canopies of Fernández’s installation Fata Morgana.
This spring, Pedro Ruiz, the former Ballet Hispanico dancer now choreographer, was named associate artistic director of Ballet Contemporáneo Endedans de Camagüey. In a lively conversation with Cuban Art News co-publisher Patricia Farber, Ruiz talks about his new position and what it means for him to be working in Cuba again.
For the 16th Havana Film Festival New York, film historian Luciano Castillo curated a crowd-pleasing panorama of post-revolutionary Cuban music films.
The global super-hit picked up three awards at the Latin Grammys, and it’s the longest-running Number 1 on Billboard’s “Hot Latin Songs.” What happened with the Bailando video at the Lucas Awards?
Founded in December 2012 by two alumni of Danza Contemporánea de Cuba, the ten-member MalPaso Dance Company recently stepped out for its first appearances outside Cuba. Dance scholar Elizabeth Schwall offers background on MalPaso, some of the factors in their success, and the history of contemporary dance on the island.