星期二, 11 8 月, 2020
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Susan Delson

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Susan Delson has been the New York editor of Cuban Art News since 2009. A former member of the Metropolitan Museum of Art education department, as editor she has worked with the Museum of Modern Art, Asia Society, El Museo del Barrio, and other institutions. Her books include the film study/biography Dudley Murphy, Hollywood Wild Card and (as editor) Ai Weiwei: Circle of Animals. As a magazine editor, she has worked at Forbes, Louise Blouin Media, and other companies.

Art and Science Fiction—A Studio Visit with Glexis Novoa

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As he wraps up a two-month artist residency in New York City, Glexis Novoa talks about his art, upcoming shows, and sources of inspiration—from the contours of his Manhattan studio walls to residents of his Midtown neighborhood.

Can “Tactical Urbanism” Save Little Havana?

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Anthony García, winner of the 2017 CINTAS Prize in Architecture & Design, talks with Rosa Lowinger about tactical urbanism, cubanidad, and his CINTAS proposal, the Bungalow Project. Its goal: To help save the community and architectural fabric of Little Havana.

The CINTAS Foundation Seizes the Moment in Cuban Art

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The CINTAS Foundation has long been a source of support for Cuban artists in Miami and beyond. But few of the foundation’s actions have generated as much public discussion as the decision to open its fellowships to applicants on the island. Cuban Art News caught up with CINTAS Foundation board president Victor Deupi for a conversation ranging from the foundation’s decision to the recent Trump Administration announcement.

In Conversation: René Francisco on Adiós Utopia

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Artist, educator, and curator René Francisco is part of the curatorial team that created Adiós Utopia: Dreams and Deceptions in Cuban Art Since 1950, the major exhibition now on view at the Museum of Fine Arts, Houston. in a conversation with Cuban Art News, Francisco reveals the thinking behind the show, and its evolution from initial idea to exhibition opening.

In the Studio with María Martínez-Cañas

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With her series Rebus + Diversions, María Martínez-Cañas draws on the archives of curator José Gómez Sicre to explore Cuban art history and her own biography. Here, Martínez-Cañas talks about five of her works and the stories behind them.