In Cuban theater, the name of Carlos Díaz (b. Bejucal, 1955) is invariably associated with some form of provocation. Writer and critic Norge Espinosa Mendoza invited the director of El Público to share his memories and experiences of twenty years in the theater.
Ben Rodríguez-Cubeñas of the Cuban Artists Fund and Rockefeller Brothers Fund is one of the principal organizers of ¡Sí Cuba!, the three-month festival of cultural events that kicks off at the end of this month. In a conversation with Cuban Art News, Rodríguez-Cubeñas talks about the festival, how it came about, and the events he’s most looking forward to.
More than 40 singers and musicians in Cuba, the U.S., and Canada join forces in an online production that vibrantly proclaims the island as the birthplace of salsa.
Grammy-winning musician and composer Arturo O’Farrill, son of Cuban-born jazz master Chico O’Farrill, recently completed a week-long tour of Cuba with the Chico O’Farrill Afro Cuban Jazz Orchestra—the fulfillment of a dream that began more than eight years ago. Here, Arturo talks about the high points of the trip, the work he composed for the occasion, and the debt that jazz owes to Cuban music.
Blowing into New York City for last weekend’s Tiempo Libre concert, Jorge Gómez, the group’s pianist and musical director, offered Cuban Art News a sneak preview of their upcoming CD, My Secret Radio.