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José Ramón Alonso Lorea
In 1937, archaeologists explored a cave in Punta del Este and documented petroglyphs found there. Art historian José Ramón Alonso Lorea presents some rarely seen photographs taken in the cave, and discusses the importance of this site.
73 years after the landmark exhibition opened in March 1944, art historian José Ramón Alonso Lorea takes a detailed look at images shot by MoMA’s staff photographer, Soichi Sunami. His findings offer unexpected insights into the exhibition and its layout.
In the past few weeks, we’ve taken a close look at Cuban art in the 1940s, through Alejandro Anreus’s article on the 1944 MoMA exhibition Modern Cuban Painters and José Ramón Alonso Lorea’s article on Maria Luisa Gómez Mena and her Galería del Prado. Now, Alonso Lorea zeroes in on Gómez Mena’s role in the MoMA exhibition and the influential book that accompanied it.
Earlier this month, we presented Alejandro Anreus’s reflection on the 1944 MoMA exhibition Modern Cuban Painters. Now, historian José Ramón Alonso Lorea brings us a closer look at one of the most influential figures in Cuban art of the 1940s, and a prime mover behind the MoMA show: the little-known cultural patron and gallerist María Luisa Gómez Mena.